ARMIDA

SYNOPSIS:

Renée Fleming stars as Rossini’s sorceress, opposite no fewer than six tenors. Mary Zimmerman returns to direct, bringing her fine-tuned theatricality to a work she describes as “a buried treasure, a box of jewels.”

The fanciful story of the sorceress who enthralls men in her island prison of sensual delights, Zimmerman says, “has an epic, enchanted quality and a tremendous visual element.”

Act I
Outside Jerusalem, during the Crusades. Goffredo, commander of the Christian forces, comforts and rallies the Frankish soldiers, who are mourning the recent death of their leader. A noblewoman appears and introduces herself as the rightful ruler of Damascus. She claims that her throne has been usurped by her evil uncle Idraote and asks for help and protection. In fact she is the sorceress Armida and in league with Idraote, who has entered with her in disguise. Their plan is to weaken the Crusaders by enslaving some of their best soldiers. The men are so dazzled by Armida’s beauty that they convince Goffredo to help her. Goffredo decides that the Franks must choose a new leader, who will then pick ten soldiers to go with Armida. They elect Rinaldo, much to the jealousy of the knight Gernando (“Non soffrirò l’offesa”). Armida and Rinaldo, who is the Crusaders’ best soldier, had met once before and she is secretly in love with him. She now confronts him and reminds him how she saved his life on that occasion. When she accuses him of ingratitude, he admits that he’s in love with her (Duet: “Amor… possente nome!”). Gernando sees them together and insults Rinaldo as a womanizer in front of the other men. They duel and Rinaldo kills Gernando. Horrified by what he has done, he escapes with Armida before Goffredo can punish him....

Additional:

Running Time: 259 mins

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